Isabel Allende Zorro

Annotation

The fictional Zorro debuted in Johnston McCulley’s serialized potboiler in 1919; since then, he’s made some dramatic comebacks. By recasting this swashbuckling hero in the context of his personal history, Allende follows in the path of her recent historical fiction like Daughter of Fortune (1999) and Portrait in Sepia (2001). Critics agree that while Zorro is light and entertaining, it is also a serious piece of literature—even if some reviewers were confounded by Allende’s mix of history and reality. Allende inserts a postmodern bent into her traditional storytelling, drawing feminist and racial themes and presenting a narrator with a hidden identity. Critics mainly disagreed about Zorro. Most thought him convincingly contradictory, while a couple viewed him as one-dimensional. Despite these complaints, most agree that Zorro is a captivating, modern version of the famed legend.